Thumri The Music Of Love

Begum Akhtar

About this album

Thumri - the song of love, of romance, passion and pining.

Thumri, dadra, kajri, chaiti, jhoola, savani - these are the timeless songs of the lives and loves of the Indian folk stylised into a performance genre. Songs which paint the myriad colours of romance, longing, separarion and union - under the rain-washed skies, on harvested fields, and swinging jhoolas.

In its most stylised contemporary form, the Thumri developed around dance and abhinaya. Abhinaya has been the soul of Indian dance and theatre from ancient times. In angika abhinaya (anga-body) the body speaks, in Satvika abhinaya, the face registers
emotions and in vachika abhinaya, music and words come together as a powerful tool for portraying emotions and dramatic situations.

Thus the music of the Gangetic soil merged with the court dances of Lucknow to give the World an exquisite music genre where vachika abhinaya came to be the soul of performance.

The Thumri genre is multiplex. The bol-banao thumri set on viambit talas provides the singer an extensive vanvas for reposeful improvisation. The pacy bol-bant thumri, popular in kathak, allows rhythmic play. The dadra is coquettish song with a metric cadence. The kajri extols the romantic moments of the monsoons and chaiti the trauma of separation in the post
harvest season.

Begum Akhtar's music epitomised the sophistry, elegance and poetry of Lucknow. Her vocalism reached its zenith in ghazal of which she remains the most worshipped exponent to date.

Begum Akhtar's style of thumri and dadra too reflected the special elegance that was Lucknow. This album features a range of thumris and dadras from the inimitable queen of melody.


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