The hype along with the curioisty-inducing Kashmiri word Madno in the track of that name may generate some passing interest, but the album lacks both lasting appeal and creative calibre. The rock sound vitiates the sensitivity needed for the in-depth musical requirement of the film. The only song that neither offends nor induces monotony is Zameen-o-aasmaan (Kshitij Tarey). And Salaam zindagi (Arun Daga-Mohd.Irfan) is well-sung, that's all.