Sri Dwaram Venkataswamy Naidu, foremost and memorable solo violinist of yester years is held in high esteem by instrumentalists for his being an exemplary artiste. His technique was unique and unparalleled in the field of Carnatic music.

'Rama Neepai' (Kedaram - Adi) of Thyagaraja who admits his personal feelings of love and affection to Lord Rama, which occupies his mind eternally, and his longing to see the divine form always.

Thyagaraja in his kriti 'Mokshamu Galada' (Saramati - Adi) explains the greatness of music as a means for Salvation. Only those who have real devotion and knowledge of divine music can attain this quotes the composer, denoting music itself as the Supreme end.

Ragam Tanam Pallavi elaborations in Kalyani is the following number.

'Raghuvamsa Sudha' (Kadana Kutoohalam - Adi), is played next glorifying Lord Rama as the 'ocean of nectar of the Raghukula'.

Ragam Tanam in Ragamalika.

Ashtapadis (Sindhu Bhairavi) are short lyrical compositions in eight lines written by poet Jayadeva, based mostly on the element of love between Krishna and Radha.

A Tillana in Kanada Raga is the concluding number.